What Martin Schuster finds interesting, is what his generation concerns. He is interested in exploring consumer behavior. Martin Schuster is inspired by memories and experiences from his childhood and youth. An inner lightness, that can be found in almost all of his paintings, contradicts thinking about a society whose capitalist structure is characterized by unfair hierarchies, consumption, strive for profit and growth. Schuster wonders how these symptoms affect our well-being, our feelings and desires.
Martin’s paintings shows parties, journeys, an escape from reality and a lot of contemporary surrealism. He intends to arrange his landscapes like stage settings, as they can be found in cinemas and theatres. Often, they are situated in a post-apocalyptic world, picturing the future, which actually turns out to be the present, or vice versa. A theme that appears consistently in his paintings is simultaneity: infinite pleasure, immeasurable possibilities of reason and intelligence, greed and senseless thrill coexist.
Martin noticed to himself, and in those around him, that there is a strong need for places of retreat. This determines his art, as well as an underlying optimism: Everything goes on somehow, and beautiful plants can grow on garbage. As measured by statistics, the world has never known more safety and liberty as it does today. How do we deal with the resulting freedom of choice and the knowledge about the responsibility of our actions? Schuster‘s biggests source of inspiration is the ambivalence of human life in a world that can appear beautiful and hideous.